000			03421nam a2200421 i 4500
001			CR9781009277839
003			UkCbUP
005			20240508141515.0
006			m|||||o||d||||||||
007			cr||||||||||||
008			220317s2023||||enk o ||1 0|eng|d
020			_a9781009277839 (ebook)
020			_z9781009277846 (hardback)
020			_z9781009277815 (paperback)
040			_aUkCbUP _beng _erda _cUkCbUP
043			_ae-uk---
050	0	0	_aML285.4 _b.S68 2023
082	0	0	_a780.941/09034 _223/eng/20230131
245	0	0	_aSound and sense in British Romanticism / _cedited by James Grande, Carmel Raz.
264		1	_aCambridge, United Kingdom ; _aNew York, NY : _bCambridge University Press, _c2023.
300			_a1 online resource (xiv, 277 pages) : _bdigital, PDF file(s).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	1		_aCambridge studies in romanticism
500			_aTitle from publisher's bibliographic system (viewed on 30 Aug 2023).
506	0		_aOpen Access. _fUnrestricted online access _2star
505	0		_aIntroduction / James Grande and Carmel Raz -- William Hogarth : Looking and Listening for a Painting / Lydia Goehr -- Collecting Ballads, Historicizing Sounds : Appropriating Scottish National Music in the Eighteenth Century / Maria Semi -- Realising The Enraged Musician / Oskar Cox Jensen -- 'A Strange Jingle of Sounds' : Scenes of Aural Recognition in Early Nineteenth-Century English Literature / Josephine McDonagh -- The Sound of News : Affective Rhythm, Rupture, and Nostalgia / William Tullett -- The Resounding Fame of Fingal's Cave / Jonathan Hicks -- Echoing Sounds : What Was Poetry for Gilbert White? / Courtney Weiss Smith -- Mary Somerville's Sound Accomplishments : Scientific Writing and the Sonorous Sublime / Katherine Fry -- Organizing Modernity : Henry Liston's Euharmonic Organ and Natural Tuning in Company India / Daniel Walden -- Stethoscopic Fantasies / Melissa Dickson.
520			_aA radical re-imagining of the relationship between sound and sense took place in Britain in the decades around 1800. This new approach reconfigured sound as central to understandings of space and temporality, from the diurnal rhythms of everyday life in the modern city to the 'deep time' of the natural world. At the same time, sound emerged as a frequently disruptive phenomenon, a philosophical and political problem, and a force with the power to overwhelm listeners. This is the first book devoted to the topic and brings together scholars from literary studies, musicology, history and philosophy through the interdisciplinary frameworks of sound studies and the history of the senses. The chapters pursue a wide range of subjects, from 'national airs' to the London stage, and from experiments in sound to new musical and scientific instruments. Collectively, they demonstrate how a focus on sound can enrich our understanding of Romantic-era culture.
650		0	_aMusic _zGreat Britain _y19th century _xHistory and criticism.
650		0	_aEnglish literature _y19th century _xHistory and criticism.
650		0	_aRomanticism _zGreat Britain.
700	1		_aGrande, James, _d1984- _eeditor.
700	1		_aRaz, Carmel, _d1982- _eeditor.
776	0	8	_iPrint version: _z9781009277846
830		0	_aCambridge studies in Romanticism.
856	4	0	_uhttps://doi.org/10.1017/9781009277839
999			_c38599 _d38599