| 000 | 02827namaa2200445uu 4500 | ||
|---|---|---|---|
| 001 | oapen88264 | ||
| 003 | oapen | ||
| 005 | 20240507100408.0 | ||
| 006 | m o d | ||
| 007 | cr|mn|---annan | ||
| 008 | 240311s2024 xx |||||o ||| 0|eng d | ||
| 020 | _a9780429428944 | ||
| 020 | _a9781138368941 | ||
| 020 | _a9781138368958 | ||
| 024 | 7 |
_a10.4324/9780429428944 _2doi |
|
| 040 |
_aoapen _coapen |
||
| 041 | 0 | _aeng | |
| 042 | _adc | ||
| 072 | 7 |
_aATD _2bicssc |
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| 072 | 7 |
_aNHB _2bicssc |
|
| 100 | 1 |
_aGeigner, Megan E. _4edt |
|
| 245 | 1 | 0 | _aTheatre After Empire |
| 260 |
_bTaylor & Francis _c2024 |
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| 300 | _a1 online resource | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 506 | 0 |
_aFree-to-read _fUnrestricted online access _2star |
|
| 520 | _aEmphasizing the resilience of theatre arts in the midst of significant political change, Theatre After Empire spotlights the emergence of new performance styles in the wake of collapsed political systems. Centering on theatrical works from the late nineteenth century to the present, twelve original essays written by prominent theatre scholars showcase the development of new work after social revolutions, independence campaigns, the overthrow of monarchies, and world wars. Global in scope, this book features performances occurring across Africa, the Americas, Asia, Europe, and the Middle East. The essays attend to a range of live events-theatre, dance, and performance art-that stage subaltern experiences and reveal societies in the midst of cultural, political, and geographic transition. This collection is an engaging resource for students and scholars of theatre and performance; world history; and those interested in postcolonialism, multiculturalism, and transnationalism. | ||
| 540 |
_aAll rights reserved _uhttp://oapen.org/content/about-rights |
||
| 546 | _aEnglish | ||
| 650 | 7 |
_aGeneral and world history _2bicssc |
|
| 650 | 7 |
_aTheatre studies _2bicssc |
|
| 653 | _apostcolonial,decolonization,colonial,nationalism,Hapsburg,Ottoman,Czechoslovakia,Oh Taesuk,Rotimi,tanguedia,apartheid,Meena Kumari,John Ruganda,National Theatre Movement,Hanay Geiogamah,Colonial Administration,Francis Imbuga,La Cage Aux Folles,Quare Fellow,George III,Asian American Actors,Grotesco Criollo,Spoken Drama,Van Graan,Sultan Selim III,Turkish Theatre,African Personality,Diva Worship,Chickencoop Chinaman,Baby Stroller,Kim Family,Concert Party,OSF,Geek Theatre,Asian American Theatre,Komedie Stamboel | ||
| 700 | 1 |
_aGeigner, Megan E. _4oth |
|
| 700 | 1 |
_aYoung, Harvey _4edt |
|
| 700 | 1 |
_aYoung, Harvey _4oth |
|
| 793 | 0 | _aOAPEN Library. | |
| 856 | 4 | 0 |
_uhttps://library.oapen.org/handle/20.500.12657/88264 _70 _zFree-to-read: OAPEN Library: description of the publication |
| 999 |
_c37079 _d37079 |
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