| 000 | 02406namaa2200433uu 4500 | ||
|---|---|---|---|
| 001 | oapen52020 | ||
| 003 | oapen | ||
| 005 | 20240507100309.0 | ||
| 006 | m o d | ||
| 007 | cr|mn|---annan | ||
| 008 | 211215s2021 xx |||||o ||| 0|eng d | ||
| 020 | _a9780367203641 | ||
| 020 | _a9781003179443 | ||
| 020 | _a9781003179443 | ||
| 020 | _a9781032016498 | ||
| 024 | 7 |
_a10.4324/9781003179443 _2doi |
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| 040 |
_aoapen _coapen |
||
| 041 | 0 | _aeng | |
| 042 | _adc | ||
| 072 | 7 |
_aQD _2bicssc |
|
| 100 | 1 |
_aBertinetto, Alessandro _4edt |
|
| 245 | 1 | 0 | _aThe Routledge Handbook of Philosophy and Improvisation in the Arts |
| 260 |
_bTaylor & Francis _c2021 |
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| 300 | _a1 online resource | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 506 | 0 |
_aFree-to-read _fUnrestricted online access _2star |
|
| 520 | _aThe idea of improvisation, broadly defined, has been integral to our imagination of the medieval musical past. It can be related to many elements of production: to the act of un-notated creation; to the manipulation and amplification of notated materials; to our observance of rigid rules and formulae; or to spontaneous freedom. Likely a product of the Carolingian Renaissance, this is the first medieval music treatise to address an aspect of chant performance that does not only relate to a memorized repertoire, but includes an unwritten practice of extemporizing an accompanying voice to a pre-given melody. The art of "coloration" or the ornamentation of a line, whether polyphonic or monophonic, had been an integral part of extemporization since at least the time of the Ad organum faciendum treatises. When planning author's ontological inquiries, the author's would do well to remember the possible existence of creativity that is not inspired, or ephemerality that is not performer- or expression-centered. | ||
| 540 |
_aAll rights reserved _uhttp://oapen.org/content/about-rights |
||
| 546 | _aEnglish | ||
| 650 | 7 |
_aPhilosophy _2bicssc |
|
| 653 | _aPhilosophy, Ontology, Music, Improvisation, Arts, Performance | ||
| 700 | 1 |
_aBertinetto, Alessandro _4oth |
|
| 700 | 1 |
_aRuta, Marcello _4edt |
|
| 700 | 1 |
_aRuta, Marcello _4oth |
|
| 793 | 0 | _aOAPEN Library. | |
| 856 | 4 | 0 |
_uhttps://library.oapen.org/handle/20.500.12657/52020 _70 _zFree-to-read: OAPEN Library: description of the publication |
| 999 |
_c36752 _d36752 |
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