000 02932namaa2200421uu 4500
001 oapen58582
003 oapen
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006 m o d
007 cr|mn|---annan
008 221012s2023 xx |||||o ||| 0|eng d
020 _a9781003213406
020 _a9781003213406
020 _a9781032072098
020 _a9781032100500
024 7 _a10.4324/9781003213406
_2doi
040 _aoapen
_coapen
041 0 _aeng
042 _adc
072 7 _aAB
_2bicssc
072 7 _aQDTN
_2bicssc
100 1 _aStejskal, Jakub
_4auth
245 1 0 _aObjects of Authority
_bA Postformalist Aesthetics
260 _bTaylor & Francis
_c2023
300 _a1 online resource
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
506 0 _aFree-to-read
_fUnrestricted online access
_2star
520 _aIs the celebrated elegance of Cycladic marble figurines an effect their Early Bronze Age producers intended? Can one adequately appreciate an Assyrian regal statue described by a cuneiform inscription as beautiful? What to make of the apparent aesthetic richness of the traditional cultures of Melanesia, which, however, engage in virtually no recognizable aesthetic discourse? Questions such as these have been formulated and discussed by scholars of remote cultures against the backdrop of a general scepticism about the prospects of escaping the conditioning of one's own aesthetic culture and attuning to the norms of a remote one. This book makes a radical move: it treats the remote observers lack of aesthetic insight not as a hindrance to aesthetic analysis, but as a condition requiring an aesthetic theory that would make room for an aesthetic analysis independent of the model of competent aesthetic judgement or appreciation. Objects of Authority represents a rare effort at bringing together methods and concepts that are often addressed by separate disciplines. It will appeal to scholars and advanced students working on philosophical, art-historical, and anthropological theories of visual art and material culture.
540 _aAll rights reserved
_uhttp://oapen.org/content/about-rights
546 _aEnglish
650 7 _aPhilosophy: aesthetics
_2bicssc
650 7 _aThe arts: general topics
_2bicssc
653 _aJakub Stejskal, David Summers, Whitney Davis, postformalism, aesthetic archaeology, postformalist aesthetic, form, medium, universal style, aesthetic objects, artifacts, remote objects, Cycladic marble figures, Acheulean handaxes, Assyrian statues, Late Gothic monochrome wooden sculptures, remote cultures, formalist aesthetics, contextualist aesthetics, vertical bilateral symmetry, split representation, aesthetic status
793 0 _aOAPEN Library.
856 4 0 _uhttps://library.oapen.org/handle/20.500.12657/58582
_70
_zFree-to-read: OAPEN Library: description of the publication
999 _c36606
_d36606