000 | 04147namaa2200841uu 4500 | ||
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001 | oapen46441 | ||
003 | oapen | ||
005 | 20240507100219.0 | ||
006 | m o d | ||
007 | cr|mn|---annan | ||
008 | 210202s2021 xx |||||o ||| 0|eng d | ||
020 | _a9780429330254 | ||
020 | _a9780429330254 | ||
024 | 7 |
_a10.4324/9780429330254 _2doi |
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040 |
_aoapen _coapen |
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041 | 0 | _aeng | |
042 | _adc | ||
072 | 7 |
_aDSB _2bicssc |
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072 | 7 |
_aQDHR _2bicssc |
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072 | 7 |
_aQDTN _2bicssc |
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100 | 1 |
_aAxelsson, Karl _4edt |
|
245 | 1 | 0 | _aBeyond Autonomy in Eighteenth-Century British and German Aesthetics |
260 |
_bTaylor & Francis _c2021 |
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300 | _a1 online resource (314 p.) | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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490 | 1 | _aRoutledge Studies in Eighteenth-Century Philosophy | |
506 | 0 |
_aFree-to-read _fUnrestricted online access _2star |
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520 | _aThis volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so, it challenges long-standing teleological narratives that emphasize disinterestedness and the separation of aesthetics from moral, cognitive, and political interests. The chapters are divided into three thematic parts. The chapters in Part I demonstrate the heteronomy of eighteenth-century British aesthetics. They chart the evolution of aesthetic concepts and discuss the ethical and political significance of the aesthetic theories of several key figures: namely, the third Earl of Shaftesbury, David Hume, and Adam Smith. Part II explores the ways in which eighteenth-century German, and German-oriented, thinkers examine aesthetic experience and moral concerns, and relate to the work of their British counterparts. The chapters here cover the work of Kant, Moses Mendelssohn, Alexander Gottlieb Baumgarten, and Madame de Staël. Finally, Part III explores the interrelation of science, aesthetics, and a new model of society in the work of Goethe, Johann Wilhelm Ritter, Friedrich Hölderlin, and William Hazlitt, among others. This volume develops unique discussions of the rise of aesthetic autonomy in the eighteenth century. In bringing together well-known scholars working on British and German eighteenth-century aesthetics, philosophy, and literature, it will appeal to scholars and advanced students in a range of disciplines who are interested in this topic. | ||
540 |
_aAll rights reserved _uhttp://oapen.org/content/about-rights |
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546 | _aEnglish | ||
650 | 7 |
_aLiterary studies: general _2bicssc |
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650 | 7 |
_aPhilosophy: aesthetics _2bicssc |
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650 | 7 |
_aWestern philosophy from c 1800 _2bicssc |
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653 | _aAdam Smith | ||
653 | _aaesthetic experience | ||
653 | _aaesthetics narrative | ||
653 | _aAlexander Gottlieb Baumgarten | ||
653 | _aAnne Pollok | ||
653 | _aautonomy | ||
653 | _aBritish aesthetics | ||
653 | _aCamilla Flodin | ||
653 | _aDavid Hume | ||
653 | _adisinterestednes | ||
653 | _aDorothea von Mücke | ||
653 | _aEmily Brady | ||
653 | _aforce | ||
653 | _aFriedrich Hölderlin | ||
653 | _aG.E. Lessing | ||
653 | _aGerman aesthetics | ||
653 | _aGerman romanticism | ||
653 | _aGoethe | ||
653 | _ahigher enlightenment | ||
653 | _aJocelyn Holland | ||
653 | _aJohann Joachim Winckelmann | ||
653 | _aJohann Wilhelm Ritter | ||
653 | _aJoseph Addison | ||
653 | _aKaren Green | ||
653 | _aKarl Axelsson | ||
653 | _aMadame de Staël | ||
653 | _aMaria Semi | ||
653 | _aMattias Pirholt | ||
653 | _amorality | ||
653 | _aMoses Mendelssohn | ||
700 | 1 |
_aAxelsson, Karl _4oth |
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700 | 1 |
_aFlodin, Camilla _4edt |
|
700 | 1 |
_aFlodin, Camilla _4oth |
|
700 | 1 |
_aPirholt, Mattias _4edt |
|
700 | 1 |
_aPirholt, Mattias _4oth |
|
793 | 0 | _aOAPEN Library. | |
856 | 4 | 0 |
_uhttps://library.oapen.org/handle/20.500.12657/46441 _70 _zFree-to-read: OAPEN Library: description of the publication |
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_c36559 _d36559 |