000			02091namaa2200409uu 4500
001			oapen22340
003			oapen
005			20240507100130.0
006			m o d
007			cr|mn|---annan
008			200310s2012 xx |||||o ||| 0|eng d
040			_aoapen _coapen
041	0		_aeng
042			_adc
072		7	_aATF _2bicssc
072		7	_aATJ _2bicssc
100	1		_aLim, David C. L. _4edt
245	1	0	_aFilm in contemporary Southeast Asia _bCultural Interpretation and Social Intervention
260			_bTaylor & Francis _c2012
300			_a1 online resource (226 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
506	0		_aFree-to-read _fUnrestricted online access _2star
520			_aThis book discusses contemporary film in all the main countries of Southeast Asia, and the social practices and ideologies which films either represent or oppose. It shows how film acquires signification through cultural interpretation, and how film also serves as a site of contestations between social and political agents seeking to promote, challenge, or erase certain meanings, messages or ideas from public circulation. A unique feature of the book is that it focuses as much on films as it does on the societies from which these films emerge: it considers the reasons for film-makers taking the positions they take; the positions and counter-positions taken; the response of different communities; and the extent to which these interventions are connected to global flows of culture and capital.
540			_aAll rights reserved _uhttp://oapen.org/content/about-rights
546			_aEnglish
650		7	_aFilms, cinema _2bicssc
650		7	_aTelevision _2bicssc
653			_aFilm
653			_aSoutheast Asia
700	1		_aLim, David C. L. _4oth
700	1		_aYamamoto, Hiroyuki _4edt
700	1		_aYamamoto, Hiroyuki _4oth
793	0		_aOAPEN Library.
856	4	0	_uhttp://library.oapen.org/handle/20.500.12657/22340 _70 _zFree-to-read: OAPEN Library: description of the publication
999			_c36367 _d36367