| 000 | 01801namaa2200361uu 4500 | ||
|---|---|---|---|
| 001 | oapen28414 | ||
| 003 | oapen | ||
| 005 | 20240507100105.0 | ||
| 006 | m o d | ||
| 007 | cr|mn|---annan | ||
| 008 | 180927s2018 xx |||||o ||| 0|eng d | ||
| 040 |
_aoapen _coapen |
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| 041 | 0 | _aeng | |
| 042 | _adc | ||
| 072 | 7 |
_aA _2bicssc |
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| 100 | 1 |
_aMazierska, Ewa _4auth |
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| 245 | 1 | 0 |
_aPopular Viennese Electronic Music, 1990-2015 _bA Cultural History |
| 260 |
_bTaylor & Francis _c2018 |
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| 300 | _a1 online resource (248 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 506 | 0 |
_aFree-to-read _fUnrestricted online access _2star |
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| 520 | _aMazierska presents a cultural history of popular Viennese electronic music from 1990 to 2015, from the perspectives of production, scene and national and international reception. To illustrate this history in depth, a number of case studies of the most successful and distinguished musicians are explored, such as Kruder and Dorfmeister, Patrick Pulsinger, Tosca, Electric Indigo and Sofa Surfers. The author draws on research about electronic music, the relationship between music and the urban environment, the history of Austria and Vienna, music scenes and fandom, the digital shift , stardom in popular music (especially electronic music), as well as theories of postmodernism. | ||
| 540 |
_aAll rights reserved _uhttp://oapen.org/content/about-rights |
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| 546 | _aEnglish | ||
| 650 | 7 |
_aThe Arts _2bicssc |
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| 653 | _aCultural history | ||
| 653 | _aelectronic music | ||
| 653 | _aViennese | ||
| 793 | 0 | _aOAPEN Library. | |
| 856 | 4 | 0 |
_uhttp://library.oapen.org/handle/20.500.12657/28414 _70 _zFree-to-read: OAPEN Library: description of the publication |
| 999 |
_c36268 _d36268 |
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