| 000 | 02807namaa2200397uu 4500 | ||
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| 001 | oapen41777 | ||
| 003 | oapen | ||
| 005 | 20240507100045.0 | ||
| 006 | m o d | ||
| 007 | cr|mn|---annan | ||
| 008 | 200923s2019 xx |||||o ||| 0|eng d | ||
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_aoapen _coapen |
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| 042 | _adc | ||
| 072 | 7 |
_aAN _2bicssc |
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| 072 | 7 |
_aANF _2bicssc |
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| 100 | 1 |
_aSyler, Claire _4edt |
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| 245 | 1 | 0 |
_aCasting a Movement _bThe Welcome Table Initiative |
| 260 |
_bTaylor & Francis _c2019 |
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| 300 | _a1 online resource | ||
| 336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 506 | 0 |
_aFree-to-read _fUnrestricted online access _2star |
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| 520 | _a"Casting a Movement brings together US-based actors, directors, educators, playwrights, and scholars to explore the cultural politics of casting. Drawing on the notion of a ""welcome table""-a space where artists of all backgrounds can come together as equals to create theatre-the book's contributors discuss casting practices as they relate to varying communities and contexts, including Middle Eastern American theatre, Disability culture, multilingual performance, Native American theatre, color- and culturally-conscious casting, and casting as a means to dismantle stereotypes. Syler and Banks suggest that casting is a way to invite more people to the table so that the full breadth of US identities can be reflected onstage, and that casting is inherently a political act; because an actor's embodied presence both communicates a dramatic narrative and evokes cultural assumptions associated with appearance, skin color, gender, sexuality, and ability, casting choices are never neutral. By bringing together a variety of artistic perspectives to discuss common goals and particular concerns related to casting, this volume features the insights and experiences of a broad range of practitioners and experts across the field. As a resource-driven text suitable for both practitioners and academics, Casting a Movement seeks to frame and mobilize a social movement focused on casting, access, and representation." | ||
| 540 |
_aAll rights reserved _uhttp://oapen.org/content/about-rights |
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| 546 | _aEnglish | ||
| 650 | 7 |
_aTheatre direction & production _2bicssc |
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| 650 | 7 |
_aTheatre studies _2bicssc |
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| 653 | _aAudition, Blackface, Colourblind, Diversity, Ensemble, Ethical, Race, Redface, Representation, Whiteface, culturally conscious casting, social movement, welcome table | ||
| 700 | 1 |
_aBanks, Daniel _4edt |
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| 700 | 1 |
_aBanks, Daniel _4oth |
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| 700 | 1 |
_aSyler, Claire _4oth |
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| 793 | 0 | _aOAPEN Library. | |
| 856 | 4 | 0 |
_uhttps://library.oapen.org/handle/20.500.12657/41777 _70 _zFree-to-read: OAPEN Library: description of the publication |
| 999 |
_c36168 _d36168 |
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