Sound and sense in British Romanticism / (Record no. 38599)

MARC details
000 -LEADER
fixed length control field 03421nam a2200421 i 4500
001 - CONTROL NUMBER
control field CR9781009277839
003 - CONTROL NUMBER IDENTIFIER
control field UkCbUP
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20240508141515.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m|||||o||d||||||||
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr||||||||||||
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 220317s2023||||enk o ||1 0|eng|d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781009277839 (ebook)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9781009277846 (hardback)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9781009277815 (paperback)
040 ## - CATALOGING SOURCE
Original cataloging agency UkCbUP
Language of cataloging eng
Description conventions rda
Transcribing agency UkCbUP
043 ## - GEOGRAPHIC AREA CODE
Geographic area code e-uk---
050 00 - LIBRARY OF CONGRESS CALL NUMBER
Classification number ML285.4
Item number .S68 2023
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 780.941/09034
Edition number 23/eng/20230131
245 00 - TITLE STATEMENT
Title Sound and sense in British Romanticism /
Statement of responsibility, etc. edited by James Grande, Carmel Raz.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Cambridge, United Kingdom ;
-- New York, NY :
Name of producer, publisher, distributor, manufacturer Cambridge University Press,
Date of production, publication, distribution, manufacture, or copyright notice 2023.
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (xiv, 277 pages) :
Other physical details digital, PDF file(s).
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
490 1# - SERIES STATEMENT
Series statement Cambridge studies in romanticism
500 ## - GENERAL NOTE
General note Title from publisher's bibliographic system (viewed on 30 Aug 2023).
506 0# - RESTRICTIONS ON ACCESS NOTE
Terms governing access Open Access.
Standardized terminology for access restriction Unrestricted online access
Source of term star
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Introduction / James Grande and Carmel Raz -- William Hogarth : Looking and Listening for a Painting / Lydia Goehr -- Collecting Ballads, Historicizing Sounds : Appropriating Scottish National Music in the Eighteenth Century / Maria Semi -- Realising The Enraged Musician / Oskar Cox Jensen -- 'A Strange Jingle of Sounds' : Scenes of Aural Recognition in Early Nineteenth-Century English Literature / Josephine McDonagh -- The Sound of News : Affective Rhythm, Rupture, and Nostalgia / William Tullett -- The Resounding Fame of Fingal's Cave / Jonathan Hicks -- Echoing Sounds : What Was Poetry for Gilbert White? / Courtney Weiss Smith -- Mary Somerville's Sound Accomplishments : Scientific Writing and the Sonorous Sublime / Katherine Fry -- Organizing Modernity : Henry Liston's Euharmonic Organ and Natural Tuning in Company India / Daniel Walden -- Stethoscopic Fantasies / Melissa Dickson.
520 ## - SUMMARY, ETC.
Summary, etc. A radical re-imagining of the relationship between sound and sense took place in Britain in the decades around 1800. This new approach reconfigured sound as central to understandings of space and temporality, from the diurnal rhythms of everyday life in the modern city to the 'deep time' of the natural world. At the same time, sound emerged as a frequently disruptive phenomenon, a philosophical and political problem, and a force with the power to overwhelm listeners. This is the first book devoted to the topic and brings together scholars from literary studies, musicology, history and philosophy through the interdisciplinary frameworks of sound studies and the history of the senses. The chapters pursue a wide range of subjects, from 'national airs' to the London stage, and from experiments in sound to new musical and scientific instruments. Collectively, they demonstrate how a focus on sound can enrich our understanding of Romantic-era culture.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Music
Geographic subdivision Great Britain
Chronological subdivision 19th century
General subdivision History and criticism.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element English literature
Chronological subdivision 19th century
General subdivision History and criticism.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Romanticism
Geographic subdivision Great Britain.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Grande, James,
Dates associated with a name 1984-
Relator term editor.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Raz, Carmel,
Dates associated with a name 1982-
Relator term editor.
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Print version:
International Standard Book Number 9781009277846
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Cambridge studies in Romanticism.
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://doi.org/10.1017/9781009277839">https://doi.org/10.1017/9781009277839</a>

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