Sound and sense in British Romanticism / (Record no. 38599)
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fixed length control field | 03421nam a2200421 i 4500 |
001 - CONTROL NUMBER | |
control field | CR9781009277839 |
003 - CONTROL NUMBER IDENTIFIER | |
control field | UkCbUP |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20240508141515.0 |
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007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
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fixed length control field | 220317s2023||||enk o ||1 0|eng|d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9781009277839 (ebook) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
Canceled/invalid ISBN | 9781009277846 (hardback) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
Canceled/invalid ISBN | 9781009277815 (paperback) |
040 ## - CATALOGING SOURCE | |
Original cataloging agency | UkCbUP |
Language of cataloging | eng |
Description conventions | rda |
Transcribing agency | UkCbUP |
043 ## - GEOGRAPHIC AREA CODE | |
Geographic area code | e-uk--- |
050 00 - LIBRARY OF CONGRESS CALL NUMBER | |
Classification number | ML285.4 |
Item number | .S68 2023 |
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
Classification number | 780.941/09034 |
Edition number | 23/eng/20230131 |
245 00 - TITLE STATEMENT | |
Title | Sound and sense in British Romanticism / |
Statement of responsibility, etc. | edited by James Grande, Carmel Raz. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
Place of production, publication, distribution, manufacture | Cambridge, United Kingdom ; |
-- | New York, NY : |
Name of producer, publisher, distributor, manufacturer | Cambridge University Press, |
Date of production, publication, distribution, manufacture, or copyright notice | 2023. |
300 ## - PHYSICAL DESCRIPTION | |
Extent | 1 online resource (xiv, 277 pages) : |
Other physical details | digital, PDF file(s). |
336 ## - CONTENT TYPE | |
Content type term | text |
Content type code | txt |
Source | rdacontent |
337 ## - MEDIA TYPE | |
Media type term | computer |
Media type code | c |
Source | rdamedia |
338 ## - CARRIER TYPE | |
Carrier type term | online resource |
Carrier type code | cr |
Source | rdacarrier |
490 1# - SERIES STATEMENT | |
Series statement | Cambridge studies in romanticism |
500 ## - GENERAL NOTE | |
General note | Title from publisher's bibliographic system (viewed on 30 Aug 2023). |
506 0# - RESTRICTIONS ON ACCESS NOTE | |
Terms governing access | Open Access. |
Standardized terminology for access restriction | Unrestricted online access |
Source of term | star |
505 0# - FORMATTED CONTENTS NOTE | |
Formatted contents note | Introduction / James Grande and Carmel Raz -- William Hogarth : Looking and Listening for a Painting / Lydia Goehr -- Collecting Ballads, Historicizing Sounds : Appropriating Scottish National Music in the Eighteenth Century / Maria Semi -- Realising The Enraged Musician / Oskar Cox Jensen -- 'A Strange Jingle of Sounds' : Scenes of Aural Recognition in Early Nineteenth-Century English Literature / Josephine McDonagh -- The Sound of News : Affective Rhythm, Rupture, and Nostalgia / William Tullett -- The Resounding Fame of Fingal's Cave / Jonathan Hicks -- Echoing Sounds : What Was Poetry for Gilbert White? / Courtney Weiss Smith -- Mary Somerville's Sound Accomplishments : Scientific Writing and the Sonorous Sublime / Katherine Fry -- Organizing Modernity : Henry Liston's Euharmonic Organ and Natural Tuning in Company India / Daniel Walden -- Stethoscopic Fantasies / Melissa Dickson. |
520 ## - SUMMARY, ETC. | |
Summary, etc. | A radical re-imagining of the relationship between sound and sense took place in Britain in the decades around 1800. This new approach reconfigured sound as central to understandings of space and temporality, from the diurnal rhythms of everyday life in the modern city to the 'deep time' of the natural world. At the same time, sound emerged as a frequently disruptive phenomenon, a philosophical and political problem, and a force with the power to overwhelm listeners. This is the first book devoted to the topic and brings together scholars from literary studies, musicology, history and philosophy through the interdisciplinary frameworks of sound studies and the history of the senses. The chapters pursue a wide range of subjects, from 'national airs' to the London stage, and from experiments in sound to new musical and scientific instruments. Collectively, they demonstrate how a focus on sound can enrich our understanding of Romantic-era culture. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | Music |
Geographic subdivision | Great Britain |
Chronological subdivision | 19th century |
General subdivision | History and criticism. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | English literature |
Chronological subdivision | 19th century |
General subdivision | History and criticism. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | Romanticism |
Geographic subdivision | Great Britain. |
700 1# - ADDED ENTRY--PERSONAL NAME | |
Personal name | Grande, James, |
Dates associated with a name | 1984- |
Relator term | editor. |
700 1# - ADDED ENTRY--PERSONAL NAME | |
Personal name | Raz, Carmel, |
Dates associated with a name | 1982- |
Relator term | editor. |
776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
Relationship information | Print version: |
International Standard Book Number | 9781009277846 |
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
Uniform title | Cambridge studies in Romanticism. |
856 40 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://doi.org/10.1017/9781009277839">https://doi.org/10.1017/9781009277839</a> |
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