Music and the queer body in English literature at the fin de siècle /
Riddell, Fraser, 1987-
Music and the queer body in English literature at the fin de siècle / Fraser Riddell. - 1 online resource (ix, 277 pages) : digital, PDF file(s). - Cambridge studies in nineteenth-century literature and culture ; 137 . - Cambridge studies in nineteenth-century literature and culture ; 137. .
Title from publisher's bibliographic system (viewed on 07 Apr 2022).
Music, emotion and the homosexual subject -- Flesh : music, masochism, queerness -- Voice : disembodiment and desire -- Touch : transmission, contact, connection -- Time : backwards listening.
Open Access.
Drawing on an ambitious range of interdisciplinary material, including literature, musical treatises and theoretical texts, Music and the Queer Body explores the central place music held for emergent queer identities in the late-nineteenth and early-twentieth centuries. Canonical writers such as Walter Pater, E. M. Forster and Virginia Woolf are discussed alongside lesser-known figures such as John Addington Symonds, Vernon Lee and Arthur Symons. Engaging with a number of historical case studies, Fraser Riddell pays particular attention to the significance of embodiment in queer musical subcultures and draws on contemporary queer theory and phenomenology to show how writers associate music with shameful, masochistic and anti-humanist subject positions. Ultimately, this study reveals how literary texts at the fin de siècle invest music with queer agency: to challenge or refuse essentialist identities, to facilitate re-conceptions of embodied subjectivity, and to present alternative sensory experiences of space and time. This title is also available as Open Access on Cambridge Core.
9781108989541 (ebook)
English literature--History and criticism.--19th century
English literature--History and criticism.--20th century
Music in literature.
Homosexuality in literature.
Human body in literature.
Music and literature.
Homosexuality and literature.
Homosexuality and music.
Music--Physiological effect.
Queer theory.
PR468.M857 / R53 2022
820.9/357808664
Music and the queer body in English literature at the fin de siècle / Fraser Riddell. - 1 online resource (ix, 277 pages) : digital, PDF file(s). - Cambridge studies in nineteenth-century literature and culture ; 137 . - Cambridge studies in nineteenth-century literature and culture ; 137. .
Title from publisher's bibliographic system (viewed on 07 Apr 2022).
Music, emotion and the homosexual subject -- Flesh : music, masochism, queerness -- Voice : disembodiment and desire -- Touch : transmission, contact, connection -- Time : backwards listening.
Open Access.
Drawing on an ambitious range of interdisciplinary material, including literature, musical treatises and theoretical texts, Music and the Queer Body explores the central place music held for emergent queer identities in the late-nineteenth and early-twentieth centuries. Canonical writers such as Walter Pater, E. M. Forster and Virginia Woolf are discussed alongside lesser-known figures such as John Addington Symonds, Vernon Lee and Arthur Symons. Engaging with a number of historical case studies, Fraser Riddell pays particular attention to the significance of embodiment in queer musical subcultures and draws on contemporary queer theory and phenomenology to show how writers associate music with shameful, masochistic and anti-humanist subject positions. Ultimately, this study reveals how literary texts at the fin de siècle invest music with queer agency: to challenge or refuse essentialist identities, to facilitate re-conceptions of embodied subjectivity, and to present alternative sensory experiences of space and time. This title is also available as Open Access on Cambridge Core.
9781108989541 (ebook)
English literature--History and criticism.--19th century
English literature--History and criticism.--20th century
Music in literature.
Homosexuality in literature.
Human body in literature.
Music and literature.
Homosexuality and literature.
Homosexuality and music.
Music--Physiological effect.
Queer theory.
PR468.M857 / R53 2022
820.9/357808664